Vertical Talent City

This scheme for a “Vertical Talent City” in Shenzhen was designed to be a one-stop solution for creative and artistic talent across the entire Zhujiang delta region. The whole development is conceived as a vertical city that integrates the different uses in two buildings on two plots, connected by sky bridges and platforms. Housing talent services, education and training, incubation spaces, communal sports facilities, retail and residential units, this micro city vertically stacks 4 stratums: Talent Park, Training Campus, Enterprise Hub and Smart Community. The design is built around the idea of sky streets and community spaces that encourage interaction and connection. Spacious open-air sky platforms offer rich amenities and landscaping and act as a bridge to the same thematic zones on different plots.

The Talent Park at the “Vertical Talent City” is located in the first of 4 stratums, spanning the ground floor to level 5. It includes an open-air urban plaza, commercial spaces, a bus terminal, the talent services centre and other office spaces.

The Training Campus is located in the stratum from the 6th to 9th level and is houses educational facilities, talent think tanks and talent training spaces. Large flexible spaces such as lecture halls can be set up between the floors according to needs. The public area of the “training camp” uses landscape and space to design create a vibrant campus atmosphere.

The Enterprise Centre stratum on the 10th to 21st level is a development platform for the talent industry. The flexible floor plan can meet the various space and functional needs of companies of all sizes. The air bridge platform is a communal space that can be used for socialising, exhibitions and leisure activities.

The Smart Community stratum tops off the Vertical Talent City and encompasses residential units, which enjoy great views as well as natural lighting and ventilation. The modular apartment unit design are efficient and economical. The bridges, platforms and roof provide amenities such as sports and social spaces as well as other services for the residents.

This pandemic has shown that new approaches are urgently needed to ensure the health and safety of building users. In response to this need the design places a strong emphasis on naturally ventilated public spaces and circulation routes to reduce the time spent in enclosed spaces with potential exposure to pathogens. A series of escalators in the atrium space connect the four different sky streets, forming a 3-dimensional loop which is open to the public and connects the different programmes to each other. With these vertical and horizontal links, lifts are only used in emergency situations and people can move without being confined to small spaces in large groups.

Alila Villas Bintan

The brief was conceived as an art-hobby resort-cum-weekend home located along the northern coast of Bintan island to reconnect urbanites with nature. A sensitive design approach of “camouflaged architecture” has been adopted, one where building is overtaken by landscaping, enabling flora and fauna to coexist with human habitation.

Comprising 12 beachfront residences and 52 hotel villas, the public area of the resort is designed to function like a public square, with its landmark roof structure acting like an orientating devise, analogous to that of a town hall’s clock tower. The art palette comprises of a community village at the forest ridge that crowns the development like a tropical acropolis. Accessible to the public, the art palette features a museum, art gallery, spa, boutiques and fine dining establishments that promote wholesome food harvested from the resort’s very own organic farm and orchard.

The project champions sustainable efforts on various levels. Physically, the development touches the ground lightly by following the natural slope of the site with minimal cut-and-fill construction; guest rooms are orientated to act as wind funnels for sea breezes, minimising the need for air-conditioning and all lower terraces serve as green roofs/gardens. As many trees as possible are conserved, with lightweight construction vehicles and human labour deployed wherever feasible. Only natural swimming pools and natural springs in which biological filters and hydroponic plants clarify and purify the water are designed in keeping with the surrounding lushly landscaped setting.

三亚半山半岛洲际度假酒店

The Intercontinental Sanya Resort is in Sanya, Hainan, China’s tropical island and comprises of a hotel with 350 rooms and related facilities. The hotel stretches from a busy entertainment spine to the natural forest of the rocky point.

One third of the rooms are located in a 10-storey curved linear block that frames the arrival space. Two thirds of the rooms are located in huge water courtyards, and are more resort-like in feel. These rooms are an innovative hybrid of detached villas and room blocks. Each room has a private open air garden bathroom, and a detached cabana that is reached via a bridge or garden. The cabanas sit within the huge watergardens, each a hectare in size.

The design combines masterplanning, landscape, architecture and interiors to set up a series of views and vistas to the sea, framed by coconut trees, reflected in water, and then reframed again with stone, timber and fabric, ensuring every room has a special view. The design of the various public areas varies from urban and formal to casual and beachy, allowing the hotel to address many different markets and customers.

The entire resort is designed as a patchwork of inhabited gardens, giving a foreground  to the views of the owner’s highrise apartments behind. The design is inspired by Chinese screens, palaces and compounds, interpreted in a contemporary fashion. The huge precast concrete screen is an aperiodic mathematical tiling.

The hotel is designed to sustainable principles. Passive energy saving design (large overhangs, natural light, cross-ventilation, shaded courtyards, and planted roofs), use of indigenous seasonal landscape and water conservation and recycling are some of the strategies used.

Singapore Institute of Technology

The SIT-Plot 1 campus is uniquely endowed with an existing secondary forest. The design capitalises on this green site asset by integrating its learning environments with biophilic indoor-outdoor tropical spaces. To forge an imageable “Campus-in-a-Park” identity, the academic blocks are organised as a chain of buildings encompassing the central forest courtyard that is transformed into an accessible Community Park. This serves as the heart of SIT, contributing to a strong sense of place that is characterised by memorable nodes for interaction, recreation and rejuvenation.

The design leverages on the site’s undulating terrain by creating two public ground levels that segregate vehicles from pedestrians, creating a people-friendly, car-lite campus. These fenceless, 24/7 publicly accessible ground levels are interconnected across the Punggol Digital District, linking shared carparks and a series of key public spaces.

SIT’s primary signature library building is strategically located at the prime intersection between New Punggol Road and the pedestrianised Campus Boulevard as a prominent urban landmark.

On the rooftops, photovoltaic panels are arrayed as a banner of sustainability over the entire campus. These serve as a key renewable energy source that powers SIT’s Multi-Energy Micro Grid located within Plot 1. Productivity features include precast facades and structural systems for the academic blocks and structural steel for the long span bridges.

Punggol Digital District

Punggol Digital District (PDD) is planned as part of Singapore’s strategy to sustain long-term economic growth by creating new development areas island-wide, bringing jobs and social amenities closer to residents.

Situated in Punggol North, PDD is envisioned to be a vibrant and inclusive district underpinned by cutting-edge technology, as well as urban and social innovation which make everyday living more convenient and sustainable. As Singapore’s first Enterprise District, PDD will provide flexibility for the land use mix and scale to be curated at district-level, enabling deeper integration and synergy of different uses and spaces to realise the vision of the District. The District is also planned to be connected to the greater Punggol area, with a car-lite, green, and vibrant environment.

Punggol Digital District will be the first district to adopt an integrated masterplan approach that brings together a business park, a university and community facilities and transport infrastructure. The district-level planning approach creates synergies, optimises land use and catalyses community building. It also allows us to design and integrate innovative technological platforms and from the ground up, transforming the way people work, live, learn and play in an inclusive and sustainable environment.

Enabling Village

The Enabling Village is a demonstration of heartland rejuvenation through adaptive reuse of the old Bukit Merah Vocational Institute / Employment & Employability Institute (e2i) in Redhill. The site was previously fenced-in, inward-looking and did not contribute to the neighbourhood. The Masterplan conceives the Village as a new community heart and opens up the space as a park to connect people with disabilities, residents and public.

The design removes all physical barriers, extends linkages and creates a variety of shared spaces, gardens and amenities, breathing life between and within buildings. A simple robust palette of finishes and motifs was adopted as a kit-of-parts system to stitch together surfaces and spaces of the new and existing.

The porous and accessible nature of the Enabling Village creates an inclusive environment, integrating people with disabilities as equal in the community.

2019

  • ArcAsia Awards for Architecture - Mention

    Category D (Conservation Projects) category, awarded by Architects Regional Council Asia (ARCASIA)

2017

  • 2017 Design for Asia Award - Grand Award with Special Mention

    Awarded by Hong Kong Design Centre

2016

  • President's Design Award - Design of the Year

    Awarded by DesignSingapore Council and Urban Redevelopment Authority

  • 16th SIA Architectural Design Awards 2016 - Design Award

    Special Categories, awarded by the Singapore Institute of Architects

  • BCA Universal Design Award - Winner (Platinum)

    Awarded by Building and Construction Authority, Singapore

凯德天府

地处中国西南部的四川省省会成都市正处在一个崛起的阶段,这里不仅拥有秀丽的山水和肥沃的平,也同时积载了丰厚的历史和文化底蕴,如今这座古老的城市正以飞快的速度发展成为一个现代化的大都市和金融中心。凯德天府商城正是坐落在这样一片复苏地域的西面,新南天地商圈的核心地带之中。这座拥有着一幢办公大楼,三栋公寓楼和一个八层楼高大型商场的一站式城市综合体紧邻着连接成都新行政中心和老城区的南北向交通枢纽天府大道,得天独厚的选址使得人们在经过此处的天府高架立交桥时能清楚的一览项目的全貌。商城无论是在白天还是在夜晚都是一处引入注目的地标建筑,彰显着自己独特的风采并吸引着南来北往的顾客。

商城的设计灵感来源于成都当地著名景点青城山独特的地理风貌,借喻于那里的山石将建筑与自然有机的结合了起来。整个建筑的造型犹如一簇巨石,经过开凿打磨后展露里面的水晶块面,像是从周围城市基础设施和混凝土大楼的灰暗基调里拔地而起的一攒光彩夺目的珠宝。而石块与石块之间的“岩缝”则成为了一条条有着茂密植被和错落水景的“山涧峡谷”。这样有趣的自然造型和景观以空中花园的形式一直垂直延续至了商城顶部的办公和公寓塔楼内,在为商城周围其他商业群落提供丰富景致的同时更为物业内的顾客,居民和办公人员带来了享受自然的体验。

花园绿化的主题也被带入了商场的内部设计里,特别是在位于商场四层的溜冰场四周,多种多样的室内植栽形成了一座茂密的温室花园让人们在购物的同时也能亲近和了解自然植物。溜冰场的上方则采用了有着枝叶纹理的穿孔铝板作为天花板,天花内部的灯光经铝板过滤后柔和的撒下来,让人感觉仿佛置身于一大片热带雨林内。此外,溜冰场底部的天花则是一块大型的电子显示屏,模拟着不断变化的天空。

凯德天府的建筑外表皮被赋予了独特而丰富的色彩和纹理,让建筑不至于在成都较为阴沉的气候环境里显得平乏无趣。设计通过铝制饰材,金属穿孔板和玻璃等轻快材料之间的几何组合制造出了对比强烈,丰富多彩的强有力建筑语言。底部群楼立面上犹如被抛光打磨过的块面变成了悬挂节庆横幅,展示品牌商标和零售商品的绝佳界面,而上方办公和居住塔楼上比例讲究的玻璃幕墙则映照着这片天府之国的风云变化。作为整个建筑的主要立面材料之一,经过特别设计的铝制穿孔板不仅是一种对传统中国隔栅的抽象演艺,也在功能上起到了提供隐私和过滤自然光的作用。嵌在这些铝板后的特制灯光会在晚上为商场换上又一层靓丽外衣,如同布满夜空的繁星一般。

这样一个大型的综合体项目就像是成都这座城市的缩影,将天府之国的活力浓缩进了自己的一方天地里。商城的定位旨在迎合社会的文化倾向,为人们提供一个有咖啡厅和公园的独特城市体验和新鲜的生活方式。为了更好的和顾客互动,群楼商场的屋顶部分被设计成了一系列拥有众多景观平台,花园和休闲空间的商业广场,为家庭,青少年,中老年和上班族等不同人群提供了观景,交流,用餐,溜冰以及参加各种活动的极佳场所。这样一个屋顶商业广场也是下方商场内各种商业活动的延伸,为顾客提供了更加全面和连续的购物娱乐体验。

万科峯境

项目是一座位于中国广州市白云地区的商住综合体。设计为中国的城市化进程提出了具有领先意义的环保居住模式,在高密度的城市环境里创造出了可以呼吸的绿色建筑

项目基地比邻绿意昂然的白云山,坐拥着在中国大都市里难得的优良自然环境。设计充分考虑到了这一点并把自然景色作为了建筑造型和布局的主要的出发点。

为了充分的利用景观的优势,小区的楼房被布局成了一个”U”字型,确保了尽可能多的居住单元能享受到不远处的山景。在小区里不同区域和不同楼层的立体绿化和背景中的白云山一起构成了多层次的立体景致,远近呼应的绿意为居民带来了更多的视觉享受。

在每栋居民楼上每隔四层就设有一座空中花园,这些花园与电梯厅相连,将自然带到居民眼前的同时也提供了方便邻里之间社交的平台。除此之外,空中花园设置的数量和间隔还赋予了居民楼一种传统连排别墅那样三至四层的一种更宜居尺度。空中花园的两侧纵向建筑表皮是从二层一直通到屋顶的垂直绿墙,它们与花园结合起来形成了每栋楼的垂直绿核。小区内较低矮的居民楼和所有商用建筑顶部也都被绿化覆盖,成为了除去地面层以外又一个公共活动平台。

绿化的概念也被引入了每户单元内,设计让居民可以在自家的阳台上轻易的接触到建筑立面上的花池。主户被鼓励在这些花池里面栽种自己想要的花草,这样的策略让每家每户都能自己拥有独特外观的同时也加强了住户对居民楼共同责任感和归属感。立面上网格状的金属结构将凸窗和阳台整合成了一种和谐的建筑语言,它们也为垂直绿化提供了附着攀爬的骨架,使植物能够逐渐蔓延开来以至最后为建筑完全批上一层绿衣。

空中花园,垂直绿墙,屋顶花园和地面景观一起构成了一座”立体森林”, 将社区变成了一个能够24小时产生新鲜空气的”绿肺”。所有的绿化也能其到良好的隔音效果,让居民免受来自于周边城市环境里的噪音打扰。

小区的布局也考虑到了广州地区每年的季风风向变化,通过居民楼上的不同间隙和开口以及高层楼房和地层楼房叠搭后在底部形成的两个大开口使每家每户以及整个社区在不同的季节都能拥有良好的自然通风。

小区地面层的公共空间和私密空间被景观清楚的划分开来。一个全标准长度游泳池从小区大堂延伸出去并穿过低层居民楼的下方,形成了整个小区的视觉主轴之一。泳池旁的景观水体会根据季节而变化,在炎热的夏天被注满而在凉爽的秋冬季节被放干成为活动平台。在小区内的下沉式商业广场的四周,一圈竹林将附近道路上的汽车噪音隔绝开来。巨型”盆景”则成为了供公众休憩的凉亭。

项目的商业部分被安排在了地面层上朝向主路的位置。商业功能的体量被细化成在广州地区常见的小尺度模式。此处也包括了一个下沉是广场,在满足商业面积需求的同时也提供了一个不受外部行车噪音打扰的公共空间。

当人们驾车行驶过白云高速路时,峯境面向道路的两块50米通高绿墙会显得格外引人注目。小区内层次丰富的绿化和另一侧的白云山遥相呼应,赏心悦目。项目大胆的景观手法和科学的规划布局是对传统商品房如出一辙的开发模式的一次挑战,设计也希望通过这样一个项目能在当地和更广泛的中国区域内带动起生态环保建筑的新潮。

BRAC University

该项目位于孟加拉国的首都达卡,旨在将把一个被污染的并且经常被淹没的荒地改造成一个可持续的位于市中心的校园和公园。该项目的灵感来自该地区附近的孙德尔本斯国家公园,那里的生态系统十分独特的以潮汐线为界,潮位以上和潮位以下的生态系统相互独立。

该项目中的设计和功能分为了两个部分,相对私密的拔地而起的教学楼和位于地面的公共的校园园林景观,这个园林是将现有的受污染的沼泽改造成一个本土植被茂盛的生物滞留池。事实上,这个校园将容纳一万多名学生,其教学建筑也将为校园景观遮风避雨。

此外,公共区域还包括了一些聚集空间,例如大学礼堂、多功能厅和公共画廊。建筑的屋顶还将作为大学的绿地,其中将容纳一个休闲场地、一个游泳池和一条在大型太阳能顶棚的遮蔽下的长200米的跑道。通过灵活的结构模型,这里的空间可以被组合或细分,这是为了适应未来对设施需求上的调整。

设计中融入了新的建筑和环境策略,将创建完全不需要空调的位于热带的学习空间,而一系列的遮阳板和垂直绿色墙壁解决了对热能的获取过剩的问题。绿色立面起到了环境过滤器的作用,减少了眩光和灰尘,帮助保持室内凉爽,降低来自于交通的噪音。开放且通风的平面设计有助于在每个教室中进行交叉通风并保证了房间内的采光。

2017

  • LafargeHolcim Awards Asia Pacific - Bronze Winner

    Awarded by LafargeHolcim Foundation for Sustainable Construction

体育馆地铁站

Stadium(体育馆)地铁站是当时由新加坡道路交通局(LTA)和新加坡建筑师协会(SIA)联合发起新加坡滨海地铁线设计竞赛时所赢得的委托项目。该匿名竞赛向全球建筑师开放并且没有设置对地铁站设计相关经验的任何要求,因此它也被业界认为是新加坡有史以来举办的最成功的一次竞赛。之后的设计深化到最后的施工阶段,LTA自始至终都保持了对设计的重视,坚持了竞赛的初衷。

Stadium地铁站的设计初衷是提升周围城市区域的整体品质并提供世界级的交通设施。地铁站坐落于Stadium Boulevard(体育馆大道)上,是服务于周围各类体育休闲娱乐设施的交通枢纽,也为东海岸私人住宅社区(与地铁站隔着一条加冷河,由步行桥联接)提供了重要的出行选择。

设计着重考虑了会在特定时间出现在基地周围的新加坡室内体育馆,加冷剧场和国家体育馆的大量人潮,并希望地铁的引入能把这片之前主要以机动车为交通方式的区域变成一个步行区域。同时,设计也把该地铁站当作一个区域中心,为将来以此为中心植入开发的其他新功能留出空间。

为了容纳接待大量人群,地铁站的中央大厅被设计成了与地面层平行的开放式广场空间。这种开敞宽大的设计能有效防止当大量人群涌入或涌出一个相对密闭的地下空间时可能会产生的恐慌心理和践踏事件。这样一个地铁站广场也能为周围开发设计得比较内向性的城市区域引入一个更开放更具活力的空间与场所。广场内的遮荫的植被,长凳和一些聚会场地则能很好的支持其周围的娱乐和居住功能。

此外,地铁站得出入端也被设计得很灵活,为将来在附近可能出现的新开发项目提供了方便的联接可能。

整个地铁站得造型灵感来源于理查德.赛拉(Richard Serra)的雕塑作品,在进入站内的人潮动线和邻近国家体育馆弧形体量这两股力量的作用下形成。一条弧线和一条直线对比形成了地铁站具有张力的外部。站内则受到自然地貌的启发,在地下站台部分创造出了一条晶莹发亮的石谷与上方打体量的实体元素形成对比。从地面大厅通往地下站台的电动扶梯在弧形开始之处向下延伸,所引导出的人流动线与其它建筑元素一起缔造出了一个丰富动态的空间。

像一些传统的欧洲地铁站一样,设计通过制造出富有戏剧性空间的方式让普通乘客在繁冗的日常通勤中也能感受到伟岸与精彩。为了更好的达到这个效果,地铁站顶部开出了天窗,让地下的站台能获得自然采光。地面层和地下站台也通过地上建筑的开口在视觉上被被联系了起来。

站内外所用的铝板条装饰是建筑师专门为项目设计的,旨在制造出一种不绝对明确的材质效果。在光影的作用下,这些铝板条时而如布般柔软,时而如岩石般坚硬,而有时又回归其金属的质感。这些挤压铝板其实出自同一模具,却因为上下正反四种摆放顺序的不同 而产生出了千变万化的效果。这种质感也带回了人们对拥有相同表皮但已经被拆掉的老国家体育馆的记忆。